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ABOUT โ€” SEOUL, KR

๊น€๋‹ค์›€ Kim Daum / DK

์œ ๋ฆฌ๋œ ๊ฒƒ๋“ค์˜ ๊ฐ€์ฒญํ™” โ€” The Audibilization of the Unmoored

๋‚˜๋Š” ๊ฐœ์ธ์ด ์ผ์ƒ์—์„œ ๋งˆ์ฃผํ•˜๋Š” ๊ณต๊ฐ„๊ณผ ๊ด€๊ณ„์˜ ๊ฐ€์žฅ ์‚ฌ์ ์ธ ๊ฒฐ์„ ์ถœ๋ฐœ์ ์œผ๋กœ ์‚ผ์•„, ์ „์Ÿ, ์ž๋ณธ, ์ œ๋„, ๊ธฐ์ˆ ๊ณผ ๊ฐ™์€ ๊ตฌ์กฐ์  ํž˜์ด ๊ฐœ์ธ์—๊ฒŒ์„œ ๋–ผ์–ด๋‚ธ '์œ ๋ฆฌ(้Š้›ข)๋œ ๊ฒƒ๋“ค' ์‚ฌ์ด์—์„œ ์ž‘์—…ํ•œ๋‹ค.

๋‚˜๋Š” ์ด ์‚ฌ์ ์ธ ๊ฒฝ๊ณ„๋ฉด์— '์ธํ„ฐํŽ˜์ด์Šค'๋ฅผ ๊ฐ€์„คํ•˜์—ฌ, ์—ญ์‚ฌยท์‚ฌํšŒยท๋ฌธํ™”๊ฐ€ ๊ตฌ์ถ•ํ•ด์˜จ ๊ฑฐ๋Œ€ ์„œ์‚ฌ์™€ ์ถฉ๋Œ์‹œํ‚ค๊ฑฐ๋‚˜ ์กฐ์‘ํ•˜๊ฒŒ ๋งŒ๋“ ๋‹ค. ์ง์ ‘ ๋‹ฟ์„ ์ˆ˜ ์—†์ง€๋งŒ ์—ฌ์ „ํžˆ ์ž‘๋™ํ•˜๋Š” ์œ ๋ฆฌ๋œ ๊ฒƒ๋“ค ์‚ฌ์ด์˜ ์—ฐ๊ฒฐ์€ ๋งค๊ฐœ ์—†์ด๋Š” ์„ฑ๋ฆฝํ•˜์ง€ ์•Š๋Š”๋‹ค.

๋‚˜์˜ ์ฃผ๋œ ๋ฐฉ๋ฒ•๋ก ์€ '๊ฐ€์ฒญํ™”(ๅฏ่ฝๅŒ–)'๋‹ค. ์ด๋Š” ๋Œ€์ƒ์„ ๋‹จ์ˆœํžˆ ์‚ฌ์šด๋“œ๋กœ๋งŒ ์žฌํ˜„ํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ์˜์ƒ๊ณผ ์‚ฌ์šด๋“œ ์„ค์น˜๋ฅผ ์•„์šฐ๋ฅด๋ฉฐ ๋‹ค์ธต์ ์ธ ๊ณต๊ฐ๊ฐ์  ์ฐจ์›์œผ๋กœ ํ™•์žฅํ•˜๋Š” ์ž‘์—…์ด๋‹ค. ์—ฌ๊ธฐ์„œ ๊ณต๊ฐ„์Œํ–ฅ์€ ๋‹จ์ˆœํ•œ ๊ธฐ์ˆ ์„ ๋„˜์–ด, ๋“ค๋ฆฌ์ง€ ์•Š๋Š” ๊ฒƒ์„ ๋“ค๋ฆฌ๊ฒŒ ํ•˜๊ณ  ์œ ๋ฆฌ๋œ ๊ฒƒ๋“ค์— ์ƒˆ๋กœ์šด ๊ณต๊ฐ„์  ์ขŒํ‘œ๋ฅผ ๋ถ€์—ฌํ•˜๋Š” ํ•ต์‹ฌ์ ์ธ ๋„๊ตฌ๋กœ ์ž‘๋™ํ•œ๋‹ค. ๊ตฌ์กฐ์  ํž˜์ด ์œ ๋ฆฌ์‹œํ‚จ ๊ฒƒ๋“ค์„ ์ด๋ ‡๋“ฏ ์˜์ƒ๊ณผ ์‚ฌ์šด๋“œ ์„ค์น˜๋ฅผ ๋งค๊ฐœ๋กœ ๊ฐ€์ฒญํ™”ํ•จ์œผ๋กœ์จ, ๊ถ๊ทน์ ์œผ๋กœ ๊ด€๊ฐ์˜ ์‹ ์ฒด์— ์ƒˆ๋กœ์šด ๊ฐ๊ฐ์˜ ์ธต์œ„์™€ ์œ ๋Œ€๋ฅผ ๊ฐ์ธํ•˜๋Š” ๊ฒƒ์ด ๋‚ด๊ฐ€ ํ•˜๋Š” ์ผ์ด๋‹ค.

ใ€Šdazzled & muddledใ€‹(ํ”„๋ผ์ด๋จธ๋ฆฌ ํ”„๋ž™ํ‹ฐ์Šค, 2023), ใ€Š๋ˆˆ๋จผ ๊ธธใ€‹(ํŒฉํ† ๋ฆฌ 2, 2019), ใ€Š๋Œ€๋‚˜๋ฌด์ˆฒ ์˜†์—์„œใ€‹(์ŠคํŽ˜์ด์Šค ์œŒ๋ง์•ค๋”œ๋ง, 2015), ใ€ŠRSVPใ€‹(์•„ํŠธ์„ ์žฌ์„ผํ„ฐ, 2014)์—์„œ ๊ฐœ์ธ์ „์„ ๊ฐ€์กŒ์œผ๋ฉฐ, ใ€Š๊ด‘์ฃผ๋น„์—”๋‚ ๋ ˆ, ์ƒ์ƒ๋œใ€‹(์•„์‹œ์•„๋ฌธํ™”์ „๋‹น, 2018), ๋ฐฑ๋‚จ์ค€์•„ํŠธ์„ผํ„ฐ(2018), ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€(2016) ๋“ฑ ์ฃผ์š” ๋‹จ์ฒด์ „์— ์ฐธ์—ฌํ–ˆ๋‹ค.


์œ„์น˜ ์„œ์šธ ๋งˆํฌ๊ตฌ (๋ง์›๋™)
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CV_Kor
CURRICULUM VITAE

๊น€๋‹ค์›€

๊ฐœ์ธ์ „

2024ใ€Šํฉ์–ด์ง€๋Š” ์ฐจ๊ฐ€์›€ ๋งˆ๋ฅด๋Š” ๋น›ใ€‹, ๊ฐค๋Ÿฌ๋ฆฌ ์„ธ์ดํ”„, ์„œ์šธ

2023ใ€Šdazzled & muddledใ€‹, ํ”„๋ผ์ด๋จธ๋ฆฌ ํ”„๋ž™ํ‹ฐ์Šค, ์„œ์šธ

2019ใ€Š๋ˆˆ๋จผ ๊ธธใ€‹, ํŒฉํ† ๋ฆฌ2, ์„œ์šธ

2015ใ€Š๋Œ€๋‚˜๋ฌด์ˆฒ ์˜†์—์„œใ€‹, ์ŠคํŽ˜์ด์Šค ์œŒ๋ง์•ค๋”œ๋ง, ์„œ์šธ

2014ใ€ŠRSVPใ€‹, ์•„ํŠธ์„ ์žฌ ๋ผ์šด์ง€ ํ”„๋กœ์ ํŠธ, ์•„ํŠธ์„ ์žฌ์„ผํ„ฐ, ์„œ์šธ

๊ทธ๋ฃน์ „ (selected)

2025ใ€Š๋ฉœ๋ž‘์ฝœ๋ฆฌ์•„ใ€‹, ํ”„๋ผ์ด๋จธ๋ฆฌ ํ”„๋ž™ํ‹ฐ์Šค, ์„œ์šธ

2025ใ€ŠShadow indexใ€‹, ํŒŒ์ดํ”„ ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ

2024ใ€Š๊ฒฝ๊ณ„ ํ๋ฆฌ๊ธฐ, ๊ฒฝ๊ณ„๊ทธ๋ฆฌ๊ธฐใ€‹, ์บ”ํŒŒ์šด๋ฐ์ด์…˜ MObyCAN, ์„œ์šธ

2023ํ”„๋ฆฌ์ฆˆ ํ•„๋ฆ„ ใ€ŠIt was the way of walking through narrativeใ€‹, ๋ณด์•ˆ์—ฌ๊ด€1942, ์„œ์šธ

2023ใ€Š๋‚ด ์ฑ…์ƒ ์œ„์˜ ์ฒœ์‚ฌใ€‹, ํŒฉํ† ๋ฆฌ2, ์„œ์šธ

2022ใ€Š๋Œ๊ณ ๋Œ๊ณ ๋Œ๊ณ ใ€‹, ํŒฉํ† ๋ฆฌ2, ์„œ์šธ

2022ใ€Š๊ธฐ๋กํ•˜๋Š” ๊ธฐ์–ตใ€‹, SeMA ๋ฒ™์ปค, ์„œ์šธ

2022ใ€Š์™„๋ฒฝํ•œ ์ตœํ›„์˜ 1์ดˆ โ€” ๊ตํ–ฅ๊ณก 2๋ฒˆใ€‹, ๋ฐฑ๋‚จ์ค€์•„ํŠธ์„ผํ„ฐ, ๊ฒฝ๊ธฐ๋„

2021ใ€Š์ œ21ํšŒ ์†ก์€๋ฏธ์ˆ ๋Œ€์ƒ์ „ใ€‹, ์†ก์€, ์„œ์šธ

2022ใ€Š๋…ธ๋ž˜ํ•˜๋Š” ๊ณ ๋ž˜, ์ž ์ˆ˜ํ•˜๋Š” ๋ณ„ใ€‹, ์šธ์‚ฐ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์šธ์‚ฐ

2020ใ€Š๋‹น์‹ ์˜ ํ”Œ๋กœ์–ดํ”Œ๋žœใ€‹, thefloorplan.net, ์˜จ๋ผ์ธ ์ „์‹œ

2020ใ€Š๋ฌด๋ธŒ ์˜จ ์•„์‹œ์•„_์Šคํฌ๋ฆฐ ๋ผ์ดํ”„ ๊ด€์ฐฐ๊ธฐใ€‹, ์•„๋งˆ๋„์˜ˆ์ˆ ๊ณต๊ฐ„, ์„œ์šธ

2020ใ€Š๋ชจ๋‘์˜ ์†Œ์žฅํ’ˆใ€‹, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2019ใ€Š์˜ˆ์ˆ ๊ฐ€์˜ ๋ฐฐ์›€ใ€‹, ์„œ์šธ๊ต๋Œ€ SAM๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2018ใ€Š๊ด‘์ฃผ๋น„์—”๋‚ ๋ ˆ, ์ƒ์ƒ๋œ ๊ฒฝ๊ณ„๋“คใ€‹, ์•„์‹œ์•„๋ฌธํ™”์ „๋‹น, ๊ด‘์ฃผ

2018ใ€Š๋ณ„ ํ—ค๋Š” ๋‚  : ๋‚˜์™€ ๋‹น์‹ ์˜ ์ด์•ผ๊ธฐใ€‹, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ์ฒญ์ฃผ๊ด€, ์ฒญ์ฃผ

2018ใ€Š์›…์–ผ๊ฑฐ๋ฆฌ๊ณ  ์ผ๋ ๊ฑฐ๋ฆฌ๋Š”ใ€‹, ๋ฐฑ๋‚จ์ค€์•„ํŠธ์„ผํ„ฐ, ๊ฒฝ๊ธฐ๋„

2018ใ€ŠExhibition of exhibition of exhibition, ์„ธ์‹ค๊ทน์žฅใ€‹, ์„œ์šธ

2017ใ€Š๊ณต๊ณต์˜ ๋ฆฌ๋“ฌ, ๊ณต๋™์˜ ๋ชธ, ๊ณต๋™์ฒด ์•„์นด์ด๋ธŒ์ „ใ€‹, ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2017ใ€Š์ œ5ํšŒ ์•„๋งˆ๋„ ์• ๋‰ด์–ผ๋‚ ๋ ˆ ๋ชฉํ•˜์ง„ํ–‰์ค‘ใ€‹, ์•„๋งˆ๋„์˜ˆ์ˆ ๊ณต๊ฐ„, ์„œ์šธ

2017ใ€Š์„œ์šธ๋„์‹œ๊ฑด์ถ•๋น„์—”๋‚ ๋ ˆ ์„ฑ๋ถํ”„๋กœ์ ํŠธ: ์„ฑ๋ถ์˜ˆ์ˆ ๋™ใ€‹, ์„œ์šธ

2016ใ€Š๋ฏธ๊ฐ์˜ ๋ฏธ๊ฐใ€‹, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ์„œ์šธ๊ด€, ์„œ์šธ

2016ใ€Š์ด์‚ฟ๋‚ ใ€‹, ์ธ์‚ฌ๋ฏธ์ˆ ๊ณต๊ฐ„, ์„œ์šธ

2016ใ€Š๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ณผ์ฒœ๊ด€ 30๋…„ ํŠน๋ณ„์ „ ๋‹ฌ์€, ์ฐจ๊ณ , ์ด์ง€๋Ÿฌ์ง„๋‹คใ€‹, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2016ใ€Š์˜จ๊ณ ์ง€์‹ , ๊ฐ„์†ก ์ „ํ˜•ํ•„ ์„ ์ƒ ํƒ„์ƒ 110์ฃผ๋…„ ๊ธฐ๋…์ „ใ€‹, DDP ๋””์ž์ธ๋ฐ•๋ฌผ๊ด€, ์„œ์šธ

2016ใ€Šํ•ด, ์ˆ˜์€, ๋‹น์‹ ์˜ ํ˜ธํก: ์ฐพ๊ธฐ ํž˜๋“  ๊ณ ์ •์ ใ€‹, ๋ธ”๋ฃจ๋ฉ”๋ฏธ์ˆ ๊ด€, ๊ฒฝ๊ธฐ๋„

2015ใ€Š์†Œ๋ฆฌ ๊ณต๋™์ฒดใ€‹, ์•„๋ฅด์ฝ” ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2015ใ€Š์•„์‹œ์•„ ์•„ํŠธ ์ŠคํŽ˜์ด์Šค ๋„คํŠธ์›Œํฌใ€‹, ๊ตญ๋ฆฝ์•„์‹œ์•„๋ฌธํ™”์ „๋‹น, ๊ด‘์ฃผ

2015ใ€Š๋น›์˜ ๋Œ€ํ™”, 2015 ๊ด‘์ฃผ๋ฏธ๋””์–ด์•„ํŠธํŽ˜์Šคํ‹ฐ๋ฒŒใ€‹, ๊ด‘์ฃผ

2015ใ€Š์‚ฌ์ด์˜ ๋Œ€ํ™”ใ€‹, ์ผํ˜„๋ฏธ์ˆ ๊ด€, ์„์ง€๋ณ‘์›, ์„œ์šธ

2014ใ€ŠํŒ”๋กœ์šฐ๋ฏธใ€‹, ๋ถ์„œ์šธ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2014ใ€Šํˆฌ๋ชจ๋กœ์šฐ 2014ใ€‹, DDP ๋””์ž์ธ๋ฐ•๋ฌผ๊ด€, ์„œ์šธ

2014ใ€Š๋ฒฝ์— ๊ท€ ์žˆ๋‹คใ€‹, 3H #2, ๋งˆ์ผ ๋žฉ, ์„œ์šธ

2014ใ€Š๋ฐ˜์‚ฌ์  ๋ฐ”๊นฅใ€‹, KT&G ์ƒ์ƒ๋งˆ๋‹น, ์„œ์šธ

2014ใ€ŠAIAใ€‹, ๋‚œ์ง€๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค ๋‚œ์ง€์ „์‹œ์‹ค, ๋‚œ์ง€๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ์„œ์šธ

2014ใ€ŠCensorshipใ€‹, ์•„๋งˆ๋„์˜ˆ์ˆ ๊ณต๊ฐ„, ์„œ์šธ

2014ใ€ŠCensorshipใ€‹, ๋Œ€์•ˆ๊ณต๊ฐ„ ๋ฃจํ”„, ์„œ์šธ

2014ใ€Š๋ฏธ๋ž˜๊ฐ€ ๋๋‚ฌ์„ ๋•Œใ€‹, ํ•˜์ดํŠธ์ปฌ๋ ‰์…˜, ์„œ์šธ

2014ใ€ŠA.I.D, Hal ํ•  ํ”„๋กœ์ ํŠธใ€‹, ์ŠคํŽ˜์ด์Šค mass, ์„œ์šธ

2013ใ€ŠBetter than Universeใ€‹, ๋Œ€๊ตฌ์˜ˆ์ˆ ๋ฐœ์ „์†Œ, ๋Œ€๊ตฌ - ๋ชฉํ•˜์ง„ํ–‰์ค‘, ์•„๋งˆ๋„์˜ˆ์ˆ ๊ณต๊ฐ„, ์„œ์šธ

2013ใ€ŠInterspace Dialogueใ€‹, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

๊ณต๊ณต๋ฏธ์ˆ ํ”„๋กœ์ ํŠธ

2024์—๋ฒ„๋žœ๋“œ ํฌ์‹œ์ฆŒ ๊ฐ€๋“  ๋ฏธ๋””์–ด์›”, ๊ฒฝ๊ธฐ๋„

2023ใ€Š์œ ๋ น์ƒˆ ํƒ์กฐใ€‹, ์ฝ”์Šค๋ชจ40, ์ธ์ฒœ

2019ใ€Š์†Œ๋ฆฌ ์—†๋Š” ํŒŒ๋„ ์—†๋Š” ์†Œ๋ฆฌใ€‹, ์ฝ”์Šค๋ชจ40, ์ธ์ฒœ

2017ใ€Š์‹ ํ˜ธ, ๋น›, ์—ฐ๊ฒฐ : SIGNAL LIGHTS. CONNECTEDใ€‹, ํ‰์ฐฝ๋ฌธํ™”์˜ฌ๋ฆผํ”ฝ ๊ณ„๊ธฐ ์„œ์šธ๋กœ 7017์„ ํ™œ์šฉํ•œ ๊ณต๊ณต ๋ฏธ์ˆ  ํ”„๋กœ์ ํŠธ, ์„œ์šธ

2017ใ€Š์œค์Šฌ ์‚ฌ์šฉ๋ฒ• : ์ธ์ฒด ์—ฐ์„ฑใ€‹, ์œค์Šฌ: ์„œ์šธ์„ ๋น„์ถ”๋Š” ๋งŒ๋ฆฌ๋™, ์„œ์šธ

2015ใ€Š์‹ ๊ธฐ๋ฃจ์˜ ์‹œ๊ฐ„ใ€‹, ํ”„๋กœ์ ํŠธ ์ŠคํŽ˜์ด์Šค ์Šคํ…Œ์ด์ง€ 3x3, ์„œ์šธ

๊ณต๊ณต์กฐํ˜•๋ฌผ

2021ใ€Š์˜ค๋Š˜์˜ ๋‚ ์”จใ€‹, ๊ด‘๋ช… ์œ  ํ”Œ๋ž˜๋‹›, ๊ฒฝ๊ธฐ๋„

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2024<๋ช…๋ฅœ๋™ ์ž‘์—…์‹ค>, ์บ” ํŒŒ์šด๋ฐ์ด์…˜, ์„œ์šธ

2023<๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ณ ์–‘ ๋ ˆ์ง€๋˜์‹œ, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ๊ฒฝ๊ธฐ๋„

2022<๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ ๋ ˆ์ง€๋˜์‹œ 13๊ธฐ>, ์„œ์šธ๋ฌธํ™”์žฌ๋‹จ, ์„œ์šธ

2016<๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ์ฐฝ๋™ ๋ ˆ์ง€๋˜์‹œ(ํ”„๋กœ์ ํŠธํŒ€)>, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2014<๋‚œ์ง€๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค 8๊ธฐ>, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

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CV_ENG
CURRICULUM VITAE

Daum Kim

Seoul, KR

Solo Exhibition

2023dazzled & muddled, Primary Practice, Seoul

2019Blind Road, Factory2, Seoul, Korea

2015By the Bamboo Forest, Space Willing and Dealing, Seoul, Korea

2014RSVP, Art Sonje Center, lounge project, Seoul, Korea

Group Exhibition (selected)

2025Melancholia, Primary Practice, Seoul

2025Shadow index, PIPE gallery, Seoul

2024Between the lines, Can Foundation MObyCan, Seoul, Korea

2023It was the way of walking through narrative, Frieze Film 2023, BOAN1942 ARTSPACE BOAN, Korea

2023An angel at my table, Factory2, Seoul, Korea

2022Turn, turn, turn, Factory2, Seoul, Korea

2022Archived Memoreis, SeMA Bunker, Seoul, Korea

2022The Last Consummate Second Symphony No. 2, Nam June Paik Art Center, Gyeonggi-do, Korea

2022Singing Whales, Diving Stars, Ulsan Art Museum, Ulsan, Korea

202121th SONGEUN Art Award, Songeun art space, Seoul, Korea

2020Your Floorplan, thefloorplan.net, on-line exhibition

2020Move on Asia: observing Screen Life, Amado Art Space, Seoul, Korea

2020SeMA Collection Exhibition: Collecting for All, SeMA, Seoul, Korea

2019Artist's learning, SAM Museum, Seoul National University of Education, Seoul, Korea

2018Gwangju Biennale, Imagined Borders, Gwangju, Korea

2018A Day for Counting Stars: The story of you & me, MMCA Cheongju, Korea, Cheongju

2018Common Front, Affectively, Nam June Paik Art Center, Gyeonggido, Korea

2018Exhibition of exhibition of exhibition, Cecil Theater, Seoul, Korea

2017ยซUrban Ritornelloยป The Archives on Community, Ilmin Museum of Art, Seoul, Korea

2017The 5th Amado Annualnale, Amado Art Space, Seoul, Korea

2016Activating the City: Urban Gastronomy, MMCA, Seoul, Korea

2016The Moving Day, Insa Art Space, Seoul, Korea

2016MMCA Gwacheon, 30 Years 1986-2016 ๏ผœAs the Moon Waxes and Wanes๏ผž, MMCA, Gwacheon, Korea

2016Old&New, Kansong Art and Culture Foundation, DDP, Seoul, Korea

2016The Temperature of a Handspan - The Aesthetics of Measuring Relations, Blume Museum, Gyeonggi-do, Korea

2015Sound of Community, Arko Art Center, Seoul, Korea

2015Asia Arts Space Network, Asia Culture Center, Gwangju, Korea

2015Dialogue of Light, Gwanju Media Art Festival 2015, Gwangju, Korea

2015Dialogues Between, Ilhyun Museum, Eulji hospital, Seoul, Korea

2014Follow Me, Buk Seoul Museum, Seoul, Korea

2014Reflexive Outside, Dabang Dabang project, KT&G SangsangMadang, Seoul, Korea

2014AIA, SeMA NANJI Exhibition Hall, Seoul, Korea

2014Censorship, Move On Asia, Alternative space Loop, Seoul, Korea

2014When the Future Ended, Hite Collection, Seoul, Korea

2013Better than Universe, Daegu Art Factory, Daegu, Korea

2013Progress Under the Eyes, Amado Art Space, Seoul, Korea

2013Interspace Dialogue, Seoul Museum of Art, Seoul, Korea

Public art projects

2024Everland Four Season Garden Media wall, Gyeongi-do, Korea

2023Ghostbird, Cosmo40, Gyeongi-do, Korea

2017Signal Lights Connected, Public Project for the Olympic winter Games Pyeong Chang on the Seoullo7017, Seoul, Korea

2017How to use Yoonseoul: Human Alchemy, Yoonseul: Manridong Reflecting Seoul, Seoul, Korea

2015Mirage Time, Project space Stage 3x3, Seoul Korea

Public Sculpture

2021Today's Weather, U planet Gwangmyeong, Gyeonggi-do, Korea

Residency

2024CAN Foundation residency, Seoul, Korea

2023MMCA Goyang residency, Gyeonggido, Korea

2022Seoul Art Space Geumcheon Residency, Seoul, Korea

2014SeMA Nanji Residency, Seoul, Korea

Collection

SeMA

Contact
CONTACT

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